Portfolio

Book cover of "Bojagi: The Art of Korean Textiles" by Youngmin Lee.
Abstract open book design with pink lines extending from the centre.
Book cover of "Ink for Printmaking: The Art, Craft and Chemistry of Ink" by Stephen Hoskins and Michael Crane.
Abstract open book design with pink lines extending from the centre.
Book cover of "Witchy Stitching: 25 Patterns to Haunt Your Home" by Meg Black.
Abstract open book design with pink lines extending from the centre.
Book cover of "The Archives of Critical Theory" by Isabelle Aubert and Marcos Nobre.
Pink line graph with multiple lines originating from a single point, extending outward in different directions.
Book cover of "New Ways with Crochet" by Olena Fedotova.
Solid purple background.
Book cover of "Luminous Clay" by Angela Mellor.
Book cover of "Exploring Printmaking" by Gill Thompson.
Book cover of "Kantha: Sustainable Textiles and Mindful Making" by Ekta Kaul.
Purple abstract geometric shape with lines and circles radiating outward.

Kind words

  • "From the very beginning, it was clear that her contribution was so much more than just editing...

    Since my crochet patterns are written in English and I’m not a native speaker, I needed someone who could truly understand what I was trying to say — and Rachael always does. Her feedback is thoughtful and spot-on, helping me express myself more clearly while staying true to my voice. She’s reliable, supportive, and I trust her work completely. I honestly feel grateful to have found her.”

    Olga Panagopoulou, Plexto Pattern

  • "Rachael is a pleasure to work with, communicates effectively, and has a great eye for detail.

    I feel confident when Rachael has checked our patterns, as I trust she’ll iron out any concerns and always deliver on time. In addition to raising mathematical and style issues, Rachael also reviews the consistency of shaping across all sizes. I would recommend her to anyone in need of a reliable pattern checker.”

    Anna Hull, Technical Design Co-ordinator, Rowan

  • "No task ever seems too big, and there doesn’t seem to be much she can’t do!

    Rachael is an extremely talented individual who has worked for me on several books – both as a copyeditor and a tech editor. Her clear communication, knowledge, and organisation make her a delight to work with. She always goes above and beyond with everything she does. I cannot recommend her enough.”

    Victoria Allen, Editor, David & Charles

  • "Rachael is our go-to technical editor for our most advanced and complicated knitting patterns...

    …she has an encyclopaedic knowledge of knitting techniques, incredible skills with knitting maths, and a determination to solve the most challenging pattern problems. She has a gift for explaining in-depth technical subjects in a friendly, accessible way, producing masterclass articles that are as entertaining to read as they are informative.”

    Helen Spedding. Operations Editor, The Knitter

  • "Rachael has a very fluent style and is brilliant at re-wording text, especially if the author is not a native English speaker.

    We can always rely on her to cut text if it has been submitted over length, check technical elements such as charts and patterns, and code texts for a designer.”

    Sara Simper. Assistant Editor, Special Interest, Bloomsbury Publishing

  • "We would definitely recommend Rachael...

    We were looking for a professional copy editor with proven technical experience in editing crochet instructions and charts. We were able to completely rely on her thanks to her expertise. We like the fact that she offered a package of copyediting, chart designing and copywriting.”

    Caroline Guillet, Assistant Editor, Arts and Crafts, Bloomsbury Publishing

  • "I really appreciated Rachael’s organisation, her method and the way she explained all the suggestions for change...

    "My colleague and I had a contract to publish a collective volume on a very specific topic in human sciences with many authors who were not native English speakers. Not being native English speakers ourselves, we were not able to see all the linguistic flaws in the contribution. It was very reassuring for us to know that we could rely 100% on Rachael’s work."

    Isabelle Aubert, Sorbonne University

  • “Working with Rachael was a pleasure.

    She was not only quick and precise, but generous in her feedback and undaunted by my 16-size pattern.”

    Katie Green of Katie Green Bean